During the national lockdown of March 2020 (at the beginning of the COVID era) it became clear that access to the facilities and resources that my work would heavily rely on was not going to be as available to me as it once was. To keep creatively active, I used this period of constriction and uncertainty to translate the conceptual cornerstones of my glass practice with non-glass means and method of art making.

This glass-related study of dismissal was pursued during quarantine, documented, and posted as an Instagram campaign during the weeks of March and April of 2020. Down below are screen shots from most of those posts that ultimately ended up in the finished piece documented above.